ABOUT PINK PLUTO STRAIN 0 5

Notions of looking and voyeurism are resolved spatially and architecturally in “Very good For Me.” In this series, swooping strains make a type of peephole result that reveals Mundt in two different poses: adopting the posture of Toulouse-Lautrec’s product and tugging at her belly. This gesture, which appears in other paintings while in the e